Artist-Run Europe: Practice/Projects/Spaces
Artist-Run Europe: Practice/Projects/Spaces
Edited by Gavin Murphy & Mark Cullen
Published by Onomatopee, Eindhoven
Designed by WorkGroup, Dublin
208 pages, Swiss bound, Full colour
Contributors: Jason E. Bowman, AA Bronson, Noelle Collins, Valerie Connor, Mark Cullen, Céline Kopp & Alun Williams, Joanna Laws, Freek Lomme, Megs Morley, Gavin Murphy, Gavin Wade and Katherine Waugh.
With case studies of spaces and projects: Pallas Projects/Studios, Triangle France, Transmission Gallery, Eastside Projects, Catalyst Arts, Pink Cube, Secession, Dienstgebaeude, Supermarket, FOOTFALL, and The Artist-led Archive.
Part how-to manual, part history, and part socio-political critique, Artist-Run Europe looks at the conditions, organisational models, and role of artist-led practice within contemporary art and society. The aim is to show how artist-run practice manifests itself, how artist-run spaces are a distinctive and central part of visual art culture, and how they present a complex, heterogeneous, and necessary set of alternatives to the art institution, museum and commercial gallery.
In a self-reflexive, critically questioning process, contributions by Jason E. Bowman, AA Bronson, Noelle Collins, Valerie Connor, Mark Cullen, Céline Kopp, Joanna Laws, Freek Lomme, Megs Morley, Gavin Murphy, Transmission Gallery, Gavin Wade, and Katherine Waugh, discuss and analyse areas such as: What position do artist-run spaces occupy within the field of contemporary art today? Should they stand in opposition to or in parallel to other art-world structures? How is value ascribed to these often transitory practices, and is this value recognised within the field? How are these spaces organised? Can artist-run spaces develop and be sustained without the need to institutionalise? What do artist-run spaces add to the ecology of the civil society? What can we say about future (or hoped for) trajectories?
Such a publication is timely and unique, with case studies of spaces and projects: Triangle France, Transmission Gallery, Pallas Projects/Studios, Eastside Projects, Catalyst Arts, Pink Cube, Secession, Dienstgebaeude, Supermarket, 126 Artist-led Gallery, and The Artist-led Archive; and an expansive and detailed index of artist-run spaces in Europe. It will seek to develop and encourage discourse on the subject within the wider field of contemporary practice, be a source for academics and students, and act as a practical tool for those running or wishing to set up artist-run spaces.
The Future is Self-Organised—Limerick City Gallery of Art
Spaces: 126, Galway; The Black Mariah, Cork; Catalyst Arts, Belfast; E.S.P. TV, New York; Occupy Space, Limerick; Pallas Projects, Dublin; Suburban Video Lounge, Rotterdam
Projects: The Artist-Led Archive, Real Art Project (RAP)
Artists: Fiona Chambers, Mark Cullen, Niall de Buitléar, Brian Duggan, Blaithin Hughes, Gillian Kane, Gillian Lawler, Breda Lynch, Eimear Jean McCormack, Gavin Murphy, Mark O’Kelly, Jim Ricks, Kathy Tynan, ‘Heavier-than-Air Flying Machines Are Impossible’ artists’ film programme.
Curated by Pallas Projects
The Future is Self-Organised is an exhibition looking at artist-led practice and the role and contribution of artist-run spaces to contemporary art, culture and society.
The exhibition is the first of a series of projects to take place throughout 2016 that will mark the 20th year of the artist-run space Pallas Projects/Studios (PP/S). These projects will look at the role of artist-run spaces and artist-run practice today – and looking towards the future – with a number of cooperative exhibitions and ancillary events taking place, foregrounded by a major publication ‘Artist-Run Europe – Practice/Projects/Spaces’, due in early 2016.
Incorporating artworks, installations, documentation and ephemera, the exhibition features invited contributions from artists who have been associated with or helped run PP/S over the last 20 years, as well as contributions from the many artist-run spaces that PP/S has initiated collaborations with during that time.
Founded in 1996, Pallas Projects/Studios is a non-profit artist-run organisation dedicated to developing opportunities for Irish contemporary visual artists, encouraging exchange and discourse via curated projects, and collaborations with Irish and international arts organisations. PP/S addresses the necessity of providing space for artistic production, and foregrounds the role of the exhibition/project as a constant agent of discourse and cultural transformation within both the visual arts and society.
The artist-run model and ethos, is one which perpetuates non-hierarchical modes of organisation, and economies of exchange (knowledge and resources); a non-commercial approach to producing art and culture, it proposes a model of social and cultural interaction that eschews the roles of producer and consumer. Artist-run spaces play a vital role in supporting artists’ practices at the early stages of their careers, and often have a key stake (albeit a precarious one) in the (re)vitalisation of derelict urban areas.
The exhibition The Future is Self-Organised engages with the recent history of artist-run groups and independent spaces to produce a highly visual group exhibition including artworks, documentation, ephemera, artist-run presentations and collaborative installations. Its aim is to show to the public how artist-run practice manifests itself, how artist-run spaces are a distinctive and central part of visual art culture, and how they present an necessary alternative to the art institution, museum or commercial gallery. It is the first gallery manifestation of a 4-year research/publication project – Artist-Run Europe – undertaken by PP/S into artist-run practice and spaces around Europe. #ArtistRunEurope
“…while we remain subject to a system geared towards squeezing cash even out of the rubble it generates, the task, as we see it, is to remind ourselves that this rubble might offer a relative but significant opening: namely an awakening sense that there is no neoliberal future to build, and that we’re no longer compelled to compete as individuals for a piece of the free market world. Against this backdrop, we can measure those in the art system as it stands and by what it is they have to offer in the preparation of a post-capitalist society.”
There is no Alternative: The Future Is (Self-) Organised, Part 2 – Anthony Davies, Stephan Willemuth & Jakob Jakobsen*
Included in the exhibition:
A curated installation of new and re-presented/reconfigured work by artists who have been involved with PP/S, and a number of invited artists: Brian Duggan, artist and co-founder of PP/S; Fiona Chambers, artist and formerly part of the PP/S team; Kathy Tynan, former PP/S studio artist; Mark Cullen and Gavin Murphy, artists and current PP/S co-directors; Gillian Lawler, artist and PP/S Studio & Intern Coordinator; Gillian Kane, whose drawing of ‘Pallas Heights’ is included; Jim Ricks, artist and sometime PP/S collaborator; and invited contributions from artists: Mark O’Kelly, Eimear Jean McCormack, Breda Lynch, Blaithin Hughes. A film programme ‘Heavier-than-Air Flying Machines Are Impossible’ curated originally in 2008 by Pallas Projects for Project 304 Bangkok, features early film work by Aideen Barry, Anne Maree Barry, Daren Bolger, Cliona Harmey, Gavin Murphy, Kelly O’Connor, Fiona Whitty.
A screening-room installation will present artists’ films selected by Suburban Video Lounge. Based in Rotterdam, the Netherlands (in the basement of an Espresso Bar), Suburban Video Lounge was founded by Toine Horvers in 2004 as space for presenting artists’ moving image, and has been programmed by Toine Horvers 2004–2014 and Kathrin Wolkowicz 2011–2014. For The Future is Self-Organised the space’s intimate, comfortable and subterranean setting has been recreated in the gallery.
The Artist-Led Archive, initiated by Megs Morley, and presented for the first time in Limerick, is an artist-led initiative that was begun in 2006 as an attempt to intervene into a perceived and pressing lack, or ‘gap’ in collective knowledge, about the contexts, histories and developments of artist-led culture in Ireland.
The exhibition features video presentations of E.S.P. TV; FIX Festival, the oldest Live Art biennale in Europe run by Catalyst Arts since 1994; and a selection of work from the Limerick-based initiative Real Art Project (RAP). Also on show is documentation and ephemera relating to several artist-run spaces including: Catalyst Arts, 126 Galway, Occupy Space, and The Black Mariah, Cork. A reading room of Artist-Run publications and material will also be presented.
*The exhibition title The Future is Self-Organised is taken from the essay ‘There is no Alternative: The Future Is (Self-) Organised, Part 2’ by Anthony Davies, Stephan Dillemuth & Jakob Jakobsen, reprinted in Self Organised, Stine Hebert, Anne Szefer Karlsen (Eds.), Occasional Table/Open Editions, 2013. The text can be distributed freely and printed in non-commercial, no-money contexts without the permission of the authors.
The Artist-led Archive is presented with thanks to the National Irish Visual Arts Library (Nival) at NCAD, Dublin. Special thanks to Clare Lymer and Donna Romano.