Artist Steven Grainger – 1980s Artworks – Steven Grainger Archives – ARI Remix – A Polyvocal Memory of Australian Artist-Run Culture and Heritage "Work in Progress"

Artist Steven Grainger – 1980s Artworks – Steven Grainger Archives

By Steven Grainger

Steven Grainger Archives

Artist and musician Steven Grainger was an active participant in the 1980s and 1990s Brisbane artist-run, self publishing and indie music scenes .

Artist Websites & Related Links

https://remix.org.au/artist-profile-stevengrainger/

Work Corpse – Performance Art – Artist Geoffrey Karl Schmidt – John Mills National – Basement – Artist-Run Space – 1987 – Jose Macalino Archives

on 21 January 2018, in OPEN

Work Corpse – Performance Art – Artist Geoffrey Karl Schmidt – John Mills National – Basement – Artist-Run Space – 1987 – Jose Macalino Archives

on 21 January 2018, in OPEN

Jose MACALINO

on 16 October 2015, in Artists

Jose MACALINO

on 16 October 2015, in Artists

Malcolm ENRIGHT

on 30 September 2015, in Artists, QLD 1940-1970, QLD 1970-1980, QLD 1980-1990, QLD 1990-2000, QLD 2000-NOW

Malcolm ENRIGHT

on 30 September 2015, in Artists, QLD 1940-1970, QLD 1970-1980, QLD 1980-1990, QLD 1990-2000, QLD 2000-NOW

Artists Eugene Carchesio and Steven Grainger – That Space 1986

on 23 December 2017, in OPEN

Artists Eugene Carchesio and Steven Grainger – That Space 1986

on 23 December 2017, in OPEN

John Mills National

on 11 June 2015, in ARIs, QLD, QLD 1980-1990

John Mills National

on 11 June 2015, in ARIs, QLD, QLD 1980-1990

Remembering Toowoomba + George Balajka and Nameer Davis at That

on 05 February 2016, in OPEN

Remembering Toowoomba + George Balajka and Nameer Davis at That

on 05 February 2016, in OPEN

The Lethal Stage

on 10 February 2016, in ARI Remix, OPEN

The Lethal Stage

on 10 February 2016, in ARI Remix, OPEN

The Art of Belles Lettres

on 06 February 2016, in OPEN

The Art of Belles Lettres

on 06 February 2016, in OPEN

Claptrap-Free Artist-runs + From Dalby to Brisbane

on 10 February 2016, in OPEN

Claptrap-Free Artist-runs + From Dalby to Brisbane

on 10 February 2016, in OPEN

Interview with Adam BOYD

on 26 November 2015, in The Ephemera Interviews

Interview with Adam BOYD

on 26 November 2015, in The Ephemera Interviews

Interview with Virginia BARRATT

on 26 November 2015, in The Ephemera Interviews

Interview with Virginia BARRATT

on 26 November 2015, in The Ephemera Interviews

Lehan Winifred RAMSAY

on 27 October 2015, in Artists

Lehan Winifred RAMSAY

on 27 October 2015, in Artists

Interview with Sheridan KENNEDY

on 12 March 2016, in The Ephemera Interviews

Interview with Sheridan KENNEDY

on 12 March 2016, in The Ephemera Interviews

Arch Lane Public Art

on 11 June 2015, in ARIs, QLD, QLD 1980-1990

Arch Lane Public Art

on 11 June 2015, in ARIs, QLD, QLD 1980-1990

Interview with Steven GRAINGER

on 22 January 2016, in The Ephemera Interviews

Interview with Steven GRAINGER

on 22 January 2016, in The Ephemera Interviews

RELATED ARCHIVAL RESOURCES

John Mills National, Exterior Night

on 28 September 2015,

John Mills National, Exterior Night

on 28 September 2015,

John Mills National, Geoffrey Karl SCHMIDT and Diena GEORGETTI

on 30 September 2015,

John Mills National, Geoffrey Karl SCHMIDT and Diena GEORGETTI

on 30 September 2015,

zip at one flat

on 30 April 2016,

zip at one flat

on 30 April 2016,

Shorts:colour (1982)

on 09 June 2015,

Shorts:colour (1982)

on 09 June 2015,

A View to Spring

on 28 April 2016,

A View to Spring

on 28 April 2016,

John Mills National – Belles Lettres

on 28 September 2015,

John Mills National – Belles Lettres

on 28 September 2015,

John Mills National – Sally HART, Gavan FENELON, Nameer DAVIS, Kieran KNOX

on 10 January 2016,

John Mills National – Sally HART, Gavan FENELON, Nameer DAVIS, Kieran KNOX

on 10 January 2016,

John Mills National, Synthetic Memoreez

on 28 September 2015,

John Mills National, Synthetic Memoreez

on 28 September 2015,

John Mills Annexe

on 28 September 2015,

John Mills Annexe

on 28 September 2015,

John Mills National Newsletter

on 30 September 2015,

John Mills National Newsletter

on 30 September 2015,

Cryptomnesia 2 (New) – Collaboration with Matt Mawson

on 30 April 2016,

Cryptomnesia 2 (New) – Collaboration with Matt Mawson

on 30 April 2016,

Distillation

on 14 July 2015,

Distillation

on 14 July 2015,

1980s Dance Party Mix

on 10 May 2016,

1980s Dance Party Mix

on 10 May 2016,

Selective Histories, Lehan RAMSAY

on 12 December 2015,

Selective Histories, Lehan RAMSAY

on 12 December 2015,

Know Job (1990)

on 11 June 2015,

Know Job (1990)

on 11 June 2015,

Manning + O’Reilly Artists ‘Balloon Animals’ 2016

on 17 October 2016,

Manning + O’Reilly Artists ‘Balloon Animals’ 2016

on 17 October 2016,

John Mills National Newsletter

on 29 September 2015,

John Mills National Newsletter

on 29 September 2015,

Video Documentation, Synthetic Memoreez

on 05 September 2015,

Video Documentation, Synthetic Memoreez

on 05 September 2015,

One Ddub (1984)

on 26 November 2014,

One Ddub (1984)

on 26 November 2014,

John Mills National, Compulsive Surveillance, Hiram TO

on 28 September 2015,

John Mills National, Compulsive Surveillance, Hiram TO

on 28 September 2015,

Jose Macalino Artist Archives

on 30 November 2015,

Jose Macalino Artist Archives

on 30 November 2015,

White Noise Dog

on 10 November 2015,

White Noise Dog

on 10 November 2015,

Tags:

Adam Boyd ARI Heritage Artworks Brisbane Artist-Run Spaces 1980s Brisbane Artist-Run Spaces 1990s Brisbane artist-runs Brisbane Bands Closest Thing Eugene Carchesio Hollie John Mills National Jose Macalino live art Performance Art QLD artist-runs Steven Grainger That Contemporary Art Space That Space Virginia Barratt

Comment on Facebook

graffiti graffitied...

A mistake so sublime It stuck me immediately Accidental in design Or part of a graffiti PH.d

The leftover paint was still usable, the work was worth $500,000, surely it's worth more now, the black improves it, the couple should demand sizable payment.

Context is important. In what way is this graffiti art? Not stylistically and not contextually. The only graffiti component is the recent black addition.

Leave tools lying around..

The original work was "Academic painting". The repainting constitutes graffiti.

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