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      • 1980-1990 Regional
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      • 2000-NOW Regional
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      • 1970-1980
      • 1980-1990
      • 1990-2000
      • 2000-NOW
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      • 1970-1980
      • 1980-1990
      • 1990-2000
      • 2000-NOW
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      • 2000-NOW
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      • 1970-1980
      • 1980-1990
      • 1990-2000
      • 2000-NOW
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      • 1970-1980
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      • 2000-NOW
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      • 1970-1980
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September 5, 2014 In

cropped-PINEAPPLE_REMIX_WALLPAPER_FAMILY_Page_32.jpg

https://www.remix.org.au/wp-content/uploads/2014/09/cropped-PINEAPPLE_REMIX_WALLPAPER_FAMILY_Page_32.jpg

Welcome to
 THE ARI REMIX LIVING ARCHIVES
& SOCIAL MEMORY PROJECT
(2011-2022)

“ 'Living' means present, on-going, continuing, unfinished, open-ended.” (Hall, 2001)

A Polyvocal Memory of Australian Artist-Run Culture and Heritage "Work in Progress"

LOCAL COLOUR, COMMUNITY, LGBTQIA+, INCLUSION, PARTICIPATION, CULTURAL STORYTELLING, INQUIRY, ADVOCACY

AUSTRALIAN ARTIST-RUN INITIATIVES (ARIs) – REFRAMING ART EPHEMERA FOR A NEW PUBLIC CULTURAL HERITAGE, DOING IT TOGETHER: ACCESSING, IDENTIFYING, ACKNOWLEDGING, REMEMBERING & ARCHIVING AFFECTIVELY

#Australian artist-runs #ARIREMIX #Artist-Run Continuum #Collective Memory #Making Places #Ideas #Inspiration #Keeping Places #Cooperation #Collaboration #Social Conscience #Social Enterprise #For everyone #New Public

PROJECT ONE 2011-2022
- Currently in progress

Stage One -
A QLD Remix
QLD ARIs 1980 to 1990
March 2011 - June 2017

Stage Two -
A QLD Remix
QLD ARIs 1980 to Now
June 2017- November 2019

Stage Three -
ARI Remix Community Archives Project: Living Archives, Artist-Runs Past Present Future A QLD Remix 1970 to Now – in progress
Jan 2020 – March 2022

PROJECT TWO -
Collectively Reframing Art Ephemera
TBA 2022

The ARI Remix collective acknowledges and respects the traditional and ongoing custodians of the lands where we live, make and work. We pay our respects to elders past, present and emerging, and acknowledge that sovereignty has never been ceded. We support the Uluru statement from the heart.

ARI Remix is a living archive; LGBTQIA+, cis, non-binary and trans inclusive, and involves active participation and collaborative collecting engagement by artists, co-creatives, peers and artist groups. It is an enthusiast-led, community-based, non-profit and art ephemera study resource and Web 2.0 art work #ariremix. It is made entirely possible through immense kindness, generosity, volunteerism and collaborative collecting efforts of over 300 Australian artists and significant arts philanthropy;

PROJECT ONE - Stages One & Two
of this project are supported by the Queensland Government through Arts Queensland and have been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Stage Three of this project is supported by the Queensland Government through Arts Queensland.





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Recent Posts

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Humbly Help – We Need More Small Acts of Kindness!!!

HELP PRESERVE ART EPHEMERA

HELP PRESERVE ARI REMIX – A COLLECTIVE LABOUR OF LOVE:

If you enjoy engaging with this living archive and the evocative art ephemera it represents amd would like to show your gratitude now, it takes a small moment...(CLICK HERE)

For other ways of giving that don’t require a credit card to future enable the non-profit work we perform please contact ARI Remix DIY Coordinator here: info [at]remix.org.au

#ariremix

View

Apr 10

Open
Wendy Mills’ installation ‘View of divine union: a temporary affair’ was shown in 1983 at 40 Charlotte Street, also known as the John Mills Himself building. She sub-let this space from 1982-89 as a studio and gallery, and shared it with other local artists including Lyndall Milani, Judith Wright and June Tupicoff. “During part of the 1980’s I lived in a share house with poets, writers, musicians, refugees, environmental and political activists. We had a loose connection with the West End Catholic Anarchists and were under surveillance by Queensland Police Special Branch. We suspected our phone was tapped and we knew for certain they came to our door mainly disguised as collectors for the Red Cross and trying to gather information about our associates and us. There was a slight feel of revolution in the air but life was easy in Australia.” (ARI Remix Project interview) Image: Wendy Mills, ‘View of divine union: a temporary affair’ Cibachrome photograph, 1983 Griffith University Art Collection. Purchased 1986 #museumfromhome #QCAalumni #wendymills #griffithuniversityartmuseum #queensland #brisbane #ariremix #australianartist #contemporaryart

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Apr 10

Open
Wendy Mills’ installation ‘View of divine union: a temporary affair’ featured transparent geometric forms constructed from polythene suspended in a low-lit space. Plastic veils, cubes and prisms were weighted down with water, while a large segmented pyramid was pierced by a shimmering upturned obelisk. The installation was accompanied by a soundscape produced on a Moog Synthesizer by Graham McConkey in Sydney. While many photographs were taken of this work, the Griffith University Art Collection holds one of only two sets of cibachrome photographs that were produced by the artist as documentation. Image: Wendy Mills, ‘View of divine union: a temporary affair’ Cibachrome photograph, 1983 Griffith University Art Collection. Purchased 1986 #museumfromhome #QCAalumni #wendymills #griffithuniversityartmuseum #queensland #brisbane #ariremix #australianart #contemporaryart

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Apr 24

Open
This absolutely stellar human, Jorgen Doyle picturemorgue, has been working tirelessly for weeks/months on the front area of WTS to produce a beautiful native garden, fit with reticulation and, soon to come, a little zine with Beth Sometimes mood_light as a manual /educator / guide to the garden and all its special plants. Jorgen started this project a year ago but went back to Jakarta where he and wonderful Hannah Ekin hushhushhannah live when they’re not in Alice/Mparntwe, learning and helping out wherever they go. Throughout the year Beth looked after the few plants that had grown from that first stage, until Jorgen and Hannah returned in the heat of summer this year with the floral-shirted, smiley gentle Jorgen diving right back in. We are so grateful, impressed, inspired and generally bloody stoked to have this garden 🌱 Thank you, Jorgen 💚💚💚💚💚💚💚💚 #nativegarden #garden #greenthumb #ariremix #artistruninitiative #alicesprings #mparntwe #nativeplants #nativeaustralianplants #legend

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Apr 10

Open
Queensland College of Art/Griffith University alumna Wendy Mills works with a diverse range of media including temporary installations, digital artworks and commissioned public art. After completing her studies at QCA’s Morningside campus in the late 1970’s, Mills became known for her temporary installations made from translucent and reflective materials such as plastics, water and light. She found inspiration in sacred architecture such as prisms, spirals and pyramids and used these forms to create sacred spaces combining spirituality and geometry. Image: Wendy Mills, ‘View of divine union: a temporary affair’ Cibachrome photograph, 1983 Griffith University Art Collection. Purchased 1986 #museumfromhome #QCAalumni #wendymills #griffithuniversityartmuseum #queensland #brisbane #ariremix #australianart #contemporaryart

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May 23

Open
Did you hear the news? We’ve officially launched our online zine Ether！So switch on a computer and head to www.concretecircleari.com to check it out 🖥⌨️💻💻💘📧💓🛫🛫🛫⚖️⚖️🕯🕯🕯📠🔭🔭🔭🛁 . . . #ari #ariremix #australianart #bneart #brisbaneart #concretecircleari #emergingartist #etherzinevolume1 #qut #qutcreate #qutcreativeindustries #visualart #visualartist

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THE ARI REMIX PROJECT ONE STAGE THREE IS A COLLABORATIVE PARTICIPATORY ARCHIVES WORK IN PROGRESS & IS IN DEVELOPMENT UNTIL DEC 2021