ARI REMIX COLLECTIVE – ACKNOWLEDGEMENTS & CREDITS

In keeping with the spirit of Reconciliation we acknowledge the Traditional Owners of the lands where we live and pay respect to the Elders – past, present and emerging – and acknowledge the important role Aboriginal and Torres Strait Islander people continue to play within the Australian arts and culture ecology.

STAGE ONE & STAGE TWO

We gratefully acknowledge all the artists, co-creatives and artist-runs who are kindly participating in the realisation of this project throughout Stages One and Two and who are invaluable in helping to grow and broaden this living conversation and making a variable Web 2.0  internet artwork like this possible.

STAGE ONE

Brisbane, South East Queensland and Regional Queensland

Participating, kind, caring, generous, independent and DIY ARIs/artist-runs activists, artists, entrepreneurs, writers, poets, musicians, designers, curators, publishers, media professionals, GLAM sector colleagues and co-creatives profiled, featured or acknowledged including:

PROJECT ONE STAGE THREE

FYI – In development now – contact us at info[at}remix.org.au if you would like to kindly contribute with a social memory blog post. Voluntary contributions are always welcome. Thank you for your interest and care. 

PROJECT ONE STAGE ONE

ARTIST COLLABORATIONS:

Jeffrey Gibson, Tim Gruchy, Barbara Campbell, Adam Boyd,  Virginia Barratt, Dee Martin, John Jiggens, Dianne Heenan, John Waller, Angelina Martinez, Michelle Andringa, Jay Younger, Sally Hart, Jim Knox, Diena Georgetti, Linda Dement, Jasmine Hirst, Jeanelle Hurst, Lehan Ramsay, Terry Smith, Hiram To, Russell Lake, Adam Wolter, Ted Riggs, John Willsteed, Bryan Spencer, Robert Whyte, Anne Jones, Irena Luckus, Nicholas Zurbrugg, Gary Warner, Dale Chapman, Belinda Gunn, Steven Grainger, Martyn Sommer, Paul Andrew, Maria Filippow, Joanna Kambourian, Racheal Bruhn, Deborah Long, Deborah Fenwick, Anna Zsoldos, Jane Richens, Simon Reptile, Sue Palmer, Chris Feld, Brian Doherty, Kieran Knox, Feral Sound, Robert Munday, John Douglas, Rebekah Fogarty, John Stafford, Brendan Smith, Luke Roberts, Barbara Heath, Sheridan Kennedy, Bronwyn Clark-Coolee, Urszula Szulakowska, Peter Anderson, Ivan Nunn, Malcolm Enright, Ruth Propsting, Lindy Collins, Lindy Johnson, Rebecca Chapman, Jenny Chirnside, Ross Thompson, Donald Holt, Kenn Bushby, Fleur MacDonald, Wendy Mills, Lyndall Milani, Jose Macalino, Kate White, Toyo Tsuchiya, Philip Dean, Christine Turner, Ross Wallace, Gus Eagleton, Travis Dewan, Cassie Doyle, Richard Stringer, Louise Rollman, Leah Cottrell, Joanna Kambourian, Mervyn Moriarty, Julie Barratt, Sue Barratt, Kathryn Brimblecomb-Fox, Elsie Brimblecombe, Jon Adams, Claire Adams, Kent Johnson, Brad Pimm, Carl Warner, Shane Kneipp, Jay Dea Lopez, Ian McIntosh, Mark Ross, Chris Stannard, Robyn MacDonald, Doug Spowart, Cassie Doyle, Jac Bates, David Don…and many more…

Australian (Queensland) ARIs Profiles, collaborations, participants , acknowledgements and links including:

PAST:

Barjai Co-operative, Miya Studio Co-operative, Brisbane School of Art, EastAus Art School, Flying Art School, Red Comb House, Brisbane Community Arts Centre, E.M.U, Jewell Palace, Imagery Gallery, Art Walk Magazine, Art Wonder Stories, ZIP Collective, A Room, One Flat South Brisbane, One Flat George Street, Belltower Studios, No Names (Guest Curated IMA 1982), O’Flate Studios, The Observatory Collective, That Space (That Collective), John Mills National, John Mills National Annexe, John Mills Himself Artist Studios, Artworker’s Union Queensland, Queensland Artworkers Alliance (QAA), Entrepot, Versions Magazine, SCAM Magazine, Jumbo, Oblivion (Festival of Ephemeral Arts), Eyeline Magazine,UQ Activities ( UQ Student Union), That Annexe,The Campfire Room, Crux, Breathing Concrete, AXIS Art Projects (Art Xtremists International Syndicate), [Bureau] Artspace, Arch Lane Public Art, Black Banana Poster Collective, Poets Union QLD, Anarchists Union, Outdoor Art Drive In, Interface Project 88 – City As A Work of Art, Galerie Brutal, Cement Box Theatre UQ, Schonell Theatre UQ, La Boite Theatre – Hale Street, Milton (Raw Roar etc), Space 90, Brisbane Independent Film Collective (BIF), Film Facts Collective, John Mills Annexe, GlamourPussy, The Paint Factory, Fluba Troupe, AGLASSOFWATER, Young Artists Gallery (M.O.C.A), Blunt Focus Cinema Collective, BAFStudio, Chasm, Margaret Street Artist Studios, Loch Street Artist Studios, Little Roma Street Artist Studios, Flaming Star, Art Cast, 2D Design, Clout, Cane Toad Times 2nd Collective, 4ZZZ Public Radio ( 4ZZZ Radio Times) , Inkahoots, MacTaggarts Woolstores, Dada Le Tarte, BAT Channel, The Billboard Project, Fine Arts Society UQ, State of the Art: Art of the State (Forgan Smith Tower UQ), Order By Numbers, The Photographers Gallery, Little Roma Street Festival, Chi Chi Deluxe, Janice Claxton Dance Studios, Le Scoops, Aromas Cafe, Puzzles Café,Talk It Down, Drippy Taps, Q Space Q Space Annexe, The Studios St Mary’s Kangaroo Point, F.Art, The Future Now, Tropical Artist Guild, Satellite Space…

PRESENT:

The Laundry Art Space, Boxcopy, BNE Art, The Brisbane Collective, Fake Estate, ORAL ARI, Cut Thumb, Kontraband Studios, BARI Festival 2016, Raygun Projects, Kunstbunker, InResidence ARI, Aggregate, Reflex, The Walls, DAAO…

EMERGING:

The Laundry Artspace, Clutch Collective, InResidence ARI

Supporters

We are truly grateful for testimonies and letters of support for the research and development for Stage One from many people including Andrew McNamara, Queensland University of Technology, Peter Anderson, Michele Helmrich, University of Queensland Art Museum, Gillian Fuller, Luke Roberts, Russell Lake, Professor Ross Harley UNSW, Professor Jay Younger, Queensland College of Art, Adam Boyd, Sally Hart, Sarah Follent, Jeanelle Hurst, Travis Dewan, BNE Art, Eyeline Magazine, Queensland College of Art Griffith University, Kath Kerswell, Beth Jackson, Lismore Art Space, Joanna Kambourian, State Library of Queensland, University of Queensland Art Museum, State Library of New South Wales, Joan Sheriff…

STAGE TWO

Currently in progress until December 2019

Brisbane, South East Queensland and Regional Queensland

Participating, kind, caring, generous independent and DIY ARIs/artist-runs activists, artists,  entrepreneurs, writers, poets, musicians, designers, curators, publishers, media professionals, GLAM sector colleagues and co-creatives profiled, featured or acknowledged including:

PROJECT ONE STAGE THREE

FYI – In development now – contact us at info[at}remix.org.au if you would like to kindly contribute. Voluntary contributions always welcome. Thanks for your interest and care.

PROJECT ONE STAGE TWO

Participating activists, artists, entrepreneurs, musicians, writers, designers, publishers, media professionals, curators, GLAM sector colleagues and co-creatives including;

ARTIST COLLABORATIONS:

Troy-Anthony Baylis, Steven Alderton, The Shared Camera, Caitlin Franzmann, Shane Kneipp, Shehab Uddin, Ian McIntosh, Sally Hart, Tobias De Maine, Sally Hart, Jane Richens, Lucinda Elliott, Ian McIntosh, Brian Doherty, Jane Richens, Peter Breen, Stephen Jones, Jac Dyson, Erena Mercer, Kinly Grey, Lu Forsberg, Callum McGrath, Annie Winter, Rod Bunter, David Broker, Linda Wallace, Tayla Haggarty, Anna MacMahon, Madeline Bishop, John Waller, Stephen Jones, Meagan Mendels, Sharon Jewell, David Don, Jac Bates, Casselle Mountford, Barbara Campbell, Richard Mansfield, Niko Velutic, Adam Donovan, Simone Eisler, Kevin Wilson,  Brian Doherty, Joanna Kambourian, Susie Forster, Elysha Rei, Jon & Claire Adams, Hollie, Paul Andrew, Erika Scott, Charlie Hillhouse, Jennifer Riggs, Helen Lai, Matt Dabrowski, Shehab Uddin, Roz Craig and many others.

Australian (Queensland) ARIs Profiles, collaborations, participants, acknowledgements and links including:

ARIs

PAST

Jugglers Artspace, Pop Gallery – QCA Changes 40 Years, Lismore Artspace, The Soylent Spot, PAST, Made Creative Space, Modus Studios, No.9, Process, Omniscient Collective, Trance Plant, Ruth Francis Studio, Light Street Studio, Terrace Street Studio, Queensland Artworkers Alliance Artist Studios, Accidentally Annie Street Space (AASS), Union Street Gallery, Dog Art Space, Doggett Street Studios, The Butterfactory (Dayboro), Umbrella Studio, The Hold Artspace, Whitebox Gallery, Soapbox Gallery, Spring Hill Gallery, wandA, Secuumb Art Space, Kiss My Art, ISN’T, Bartleme Galleries, Boulder Lodge Concepts, [Q]ARI, The Wandering Room, Infozone, The White House, Raw Space, Space Plentitude, The Farm, Man Bites Pumpkin, No Frills*, Witchmeat ARI, INHOUSE ARI,One Place After Another, Corflute ARI, Lines in the Sand, Addition, Love Love Studio, Inbetweenspace, The Tidy, Moreton Street Space Room (MSSR), Flipbook, Thoughtforms, McWhirters Artspace,Vegas Spray, Atomic Workshop, Smith + Stoneley, The Fort, Diagram, Current Projects, Bland People Die, Spring Hill Gallery, Omniscient Collective, Galerie Brutal, In Residence ARI, Kunstbunker, The Laundry Art Space, Clutch Collective,  BARI Festival, Level, ISN’T, Modus Studios, Process, Cut Thumb ARI, Video Access Centre Brisbane, White Box, Busybric ARI and many others.

PRESENT

Boxcopy, The Soylent Spot, Outer Space

EMERGING

Wreckers Artspace, The Laundry Artspace, Stable, XYZ ARI, Dum Dum ARI

Australian (NT, TAS, SA, WA, VIC, NSW) ARIs Profiles, participants, acknowledgements and links including:

Supporters

We are truly grateful for testimonies and letters of support from artists including Luke Roberts, Simone Eisler, Kevin Wilson, Peter Breen, Tobias De Maine, Franz Ehmann, Adam Donovan, Luke Roberts, Matt Dabrowski, Scott Whittaker, Allyson Reynolds, Sally Hart, Maria Filippow and from kind and generous supporters, curators, writers and academics including Michele Helmrich, Peter Anderson, Jay Younger, IMA, Jennifer Riggs, Helen Lai, Asia Art Publishing, Monash Centre Prato CIRN Conference 2017, RESAW 2019, Louise Denoon…

SOCIAL MEDIA DIGITAL COMMUNITY DISCUSSION AND ENGAGEMENT

ARI Remix Project is decentred/decentring in its transmedia Web 2.0 curatorial aim and approach.

These online nodes outlined below form part of the Web 2.0 information and collective content recovery, retrieval and keeping places:

Living Archives- Queensland Artist-Run Heritage 1980 – NOW https://www.facebook.com/groups/451268288264701

ARI Remix Project – Living Archives, Artist-Runs Past Present Future https://www.facebook.com/ariremixproject

Instagram #ariremix

Soundcloud https://soundcloud.com/remix-org-au

Vimeo https://vimeo.com/channels/1032743/129531628

You Tube https://www.youtube.com/playlist?list=PL5iLyGaOmKYYlPhXLTEBn9HoCuChmoJAv

Pinterest
https://www.pinterest.com.au/ariremixlivingarchivesproject

Independent – Web Archiving – courtesy of Internet Archive WayBack Machine https://web.archive.org/web/*/remix.org.au

ARI REMIX PROJECT

Concept, Artist and Project Co-ordinator:

Web and Information Design Mentor 2014-2019:

Mentors and Consultants:

ARI REMIX Issue 1 NEWS 2015-2016:

Artist, Paul Andrew

Artist/Designer, Joanna Kambourian (Lismore Artspace 2008-2018, Ms Browns Lounge)

Many artists and peers have been generous mentors, directly and indirectly during the initial research and set up on the remix.org.au archives throughout 2011 – 2015 including artists Joanna Kambourian, Linda Dement, Sarah Waterson, Liz Stokes, John Tonkin, Brian Doherty, Jane Richens, Virginia Barratt, Gillian Fuller, Jay Younger and many others.

issuu.com/ari-remix/docs/ari-remix-issue-1-the-scene-issuu

Editors – Brian Doherty & Jane Richens

Social Memory

Collective or social memories are shaped by social, economic and political circumstances; by beliefs and values; by opposition and resistance. They involve cultural norms and issues of authenticity, identity and power. They are implicated in ideologies. Social memories are associated with or belong to particular categories or groups so they can be, and often are, the focus of conflict and contestation. They can be discussed and negotiated, accepted or rejected. Collective memories are expressed in a variety of ways. They create interpretive frameworks that help make experience comprehensible. They are marked by a dialectic between stability or historical continuities and innovations or change.

Jacob Climo and Maria Cattell, eds., Social Memory and History: Anthropological Perspectives (Walnut Creek, CA:Altamira Press, 2002),4.

Artist-Run Initiative (ARI)

noun. An artist-run initiative is any project run by visual artists to present their and others’ projects. They might approximate a traditional art gallery space in appearance or function, or they may take a markedly different approach, limited only by the artist’s understanding of the term. …“Artist-run means initiating exchange; emphasizing cross and inter-disciplinary approaches to making art; developing networks; through curation, putting creative ideas and arguments into action”

Catalyst Arts (1996), Life/Live, Paris: Musée d’Art Moderne, p. 45

Living Archives: An emerging field and an inqury into Australian Post-1970 Video – Artist-Run Culture

“To borrow a definition from LIFT (London International Festival of Theatre), the ‘living’ archive’s aim is not to bury the past in boxes or databases for posterity, but to “unearth fresh forms of thinking from what has gone before” (2010, online). The ‘living’ component of this archival framework is thus twofold: on the one hand it is about access as it encourages researchers to make connections between materials and to map out their own archival journeys in hopes of “revealing new ways of looking at the future by examining the past” (LIFT 2010, online). On the other hand, it is also about survival, in opposition to death, loss, and destruction, by way of engaging with the traces and remnants that live on. But just what constitutes digital traces online and how traces are retrieved remains one of the dominant conundrums of the online archive…”

( http://archinodes.com/node/168)

Relational Aesthetics

“a set of practices which takes as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space.”

(Bourriaud 2002: 113)