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    • QLD
      • 1940-1970
      • 1970-1980
      • 1980-1990
      • 1990-2000
      • 2000-NOW
    • QLD Regional
      • 1940-1970 Regional
      • 1970-1980 Regional
      • 1980-1990 Regional
      • 1990-2000 Regional
      • 2000-NOW Regional
    • NSW
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      • 1980-1990
      • 1990-2000
      • 2000-NOW
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      • 1980-1990
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      • 2000-NOW
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      • 2000-NOW
    • WA
      • 1970-1980
      • 1980-1990
      • 1990-2000
      • 2000-NOW
    • NT
      • 1970-1980
      • 1980-1990
      • 1990-2000
      • 2000-NOW
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      • 1970-1980
      • 1980-1990
      • 1990-2000
      • 2000-NOW
    • NZ
      • 1970-1980
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    • GLOBAL
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October 17, 2019 In ARI Remix, GLOBAL 1970-1980, OPEN

Shaking Up the ARI Archives – October 2019 Featured Find – “Pope Alice is Dressed by EMU – PALACE Shop 23 Brisbane Arcade City” – [Atomic Art Exhibition- Spring Hill Gallery September 16 1980]

Pope Alice is Dressed by EMU PALACE Shop 23 Brisbane Arcade City [ Atomic Art Exhibition - Spring Hill Gallery 1980]

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March 22, 2016 In OPEN, QLD 1970-1980, The Ephemera Interviews

Remembering artist, educator Barbara Moriarty + The EMU artist-run studio collaboration in 1979-1980 with artists Luke Roberts and Georgina Pope

By Ross Wallace

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February 28, 2016 In OPEN

Stranded Doing the Strand – Artist Luke Roberts

By Luke Roberts

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November 23, 2015 In The Ephemera Interviews

Interview with Luke ROBERTS

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October 2, 2015 In Artists

Ross WALLACE

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October 2, 2015 In Artists

Georgina POPE

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September 30, 2015 In Artists

Luke ROBERTS

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June 11, 2015 In ARIs, QLD, QLD 1970-1980, QLD 1980-1990

E.M.U.

Cohort of artists and designers including Georgina Pope, Luke Roberts, Ross Wallace.

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#ARIREMIX

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Apr 10

Open
Wendy Mills’ installation ‘View of divine union: a temporary affair’ was shown in 1983 at 40 Charlotte Street, also known as the John Mills Himself building. She sub-let this space from 1982-89 as a studio and gallery, and shared it with other local artists including Lyndall Milani, Judith Wright and June Tupicoff. “During part of the 1980’s I lived in a share house with poets, writers, musicians, refugees, environmental and political activists. We had a loose connection with the West End Catholic Anarchists and were under surveillance by Queensland Police Special Branch. We suspected our phone was tapped and we knew for certain they came to our door mainly disguised as collectors for the Red Cross and trying to gather information about our associates and us. There was a slight feel of revolution in the air but life was easy in Australia.” (ARI Remix Project interview) Image: Wendy Mills, ‘View of divine union: a temporary affair’ Cibachrome photograph, 1983 Griffith University Art Collection. Purchased 1986 #museumfromhome #QCAalumni #wendymills #griffithuniversityartmuseum #queensland #brisbane #ariremix #australianartist #contemporaryart

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Apr 10

Open
Wendy Mills’ installation ‘View of divine union: a temporary affair’ featured transparent geometric forms constructed from polythene suspended in a low-lit space. Plastic veils, cubes and prisms were weighted down with water, while a large segmented pyramid was pierced by a shimmering upturned obelisk. The installation was accompanied by a soundscape produced on a Moog Synthesizer by Graham McConkey in Sydney. While many photographs were taken of this work, the Griffith University Art Collection holds one of only two sets of cibachrome photographs that were produced by the artist as documentation. Image: Wendy Mills, ‘View of divine union: a temporary affair’ Cibachrome photograph, 1983 Griffith University Art Collection. Purchased 1986 #museumfromhome #QCAalumni #wendymills #griffithuniversityartmuseum #queensland #brisbane #ariremix #australianart #contemporaryart

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Oct 26

Open
#AriRemix #Rakib #DrDreRemix #BanglaVibes #DJFlavaRemix #BanglaRemix 🎚🎛🎼🎵🎶❤

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Apr 10

Open
Queensland College of Art/Griffith University alumna Wendy Mills works with a diverse range of media including temporary installations, digital artworks and commissioned public art. After completing her studies at QCA’s Morningside campus in the late 1970’s, Mills became known for her temporary installations made from translucent and reflective materials such as plastics, water and light. She found inspiration in sacred architecture such as prisms, spirals and pyramids and used these forms to create sacred spaces combining spirituality and geometry. Image: Wendy Mills, ‘View of divine union: a temporary affair’ Cibachrome photograph, 1983 Griffith University Art Collection. Purchased 1986 #museumfromhome #QCAalumni #wendymills #griffithuniversityartmuseum #queensland #brisbane #ariremix #australianart #contemporaryart

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Mar 20

Open
Leen leen_rieth is in the space again for the next few days with their exhibition performance ‘Enduring space’. Come by between 12-5pm. __ #artinalice #contemporaryart #performance #australianartists #ariremix #alicesprings #mparntwe #LeenRieth #exhibition

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Mar 31

Open
"For many of the artists who stayed and worked to build the artist-run scene... there was a certain sense of defiance – rather than complaining that nothing ever happened it was better to simply get on and do something about it." Full interview with #ephemeraltraces curator Peter Anderson on our blog uqartmuseum.wordpress.com #ariremix #artistruninitiative #brisbaneart #UQArtMuseum #UQ #australianart

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Jul 24

Open
This year marks our 25th Anniversary and, as such, we have put together a pretty damn exciting program - STILL ALIVE AFTER 25 - to celebrate this milestone with you. All projects involved have been created by local artists with almost all the events being free to attend so that any and all of you can join us in the celebrations 💜 The full program is on our website (link in bio). Check it out and put those dates into your diaries. You won’t wanna miss out! HAPPY 25 TO US 🎂🥂⚡️ ___ #stillaliveafter25 #artinalice #alicesprings #mparntwe #centralaustralia #northernterritory #ariremix #regionalrevolution #artistruninitiative #supportart #australianart #australianartists

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Sep 5

Open
THIS FRIDAY: Fractal Spirals in a domestic Universe by Franca Barraclough, 6pm at Ilparpa claypans. This is a huge and amazing project that Franca has been working on for a number of years now, so we are super excited that it’s part of our 25th anniversary program STILL ALIVE AFTER 25. Please join us this Friday 7th Sept for delicious food and the ephemeral sculptural installation that will be Fractal Spirals in a domestic Universe. __ #regionalrevolution #australianartist #artinalice #artistruninitiative #mparntwe #alicesprings #northernterritory #contemporaryart #ariremix #stillaliveafter25 #francabarraclough

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Aug 22

Open
THIS SATURDAY = 2 x EVENTS 〰️ At 4pm we have an exhibition opening of new work by Zoya Godoroja-Prieckaerts and an open studio of new work by current Travelling Artist in Residence, Lucinda Eva-May. Lucinda’s photographic based practice is interested in the possibilities of meaning within images. While in residence at WTS she has been working on image-based assemblages as a method to draw links and create connections, from the sensory experience of Alice Springs, to meanings within broader personal, aesthetic and intellectual contexts. Join us for these two events this Saturday 25th August. __ #artinalice #australianartists #australianart #photography #assemblage #collage #regionalrevolution #ariremix #alicesprings #mparntwe

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Aug 29

Open
Building Walls opening last Saturday. Zoya Godoroja-Prieckaerts’s exhibition is on until the 8th Sept. We recommend coming in and giving yourself half an hour to walk, sit, lie down in the space. Gallery open Wed-Fri 12-5pm, Sat 10am-2pm. 📸 Mimi Catterns __ #artinalice #alicesprings #mparntwe #safespace #buildingwalls zoya_gp #australianartist #drawing #contemporaryart #artistruninitiative #regionalrevolution #ariremix
Welcome to
 THE ARI REMIX LIVING ARCHIVES
& SOCIAL MEMORY PROJECT
(2011-2022)

“ 'Living' means present, on-going, continuing, unfinished, open-ended.” (Hall, 2001)

A Polyvocal Memory of Australian Artist-Run Culture and Heritage "Work in Progress"

LOCAL COLOUR, COMMUNITY, LGBTQIA+, INCLUSION, PARTICIPATION, CULTURAL STORYTELLING, INQUIRY, ADVOCACY

AUSTRALIAN ARTIST-RUN INITIATIVES (ARIs) – REFRAMING ART EPHEMERA FOR A NEW PUBLIC CULTURAL HERITAGE, DOING IT TOGETHER: ACCESSING, IDENTIFYING, ACKNOWLEDGING, REMEMBERING & ARCHIVING AFFECTIVELY

#Australian artist-runs #ARIREMIX #Artist-Run Continuum #Collective Memory #Making Places #Ideas #Inspiration #Keeping Places #Cooperation #Collaboration #Social Conscience #Social Enterprise #For everyone #New Public

PROJECT ONE 2011-2022
- Currently in progress

Stage One -
A QLD Remix
QLD ARIs 1980 to 1990
March 2011 - June 2017

Stage Two -
A QLD Remix
QLD ARIs 1980 to Now
June 2017- November 2019

Stage Three -
ARI Remix Community Archives Project: Living Archives, Artist-Runs Past Present Future A QLD Remix 1970 to Now – in progress
Jan 2020 – March 2022

PROJECT TWO -
Collectively Reframing Art Ephemera
TBA 2022

The ARI Remix collective acknowledges and respects the traditional and ongoing custodians of the lands where we live, make and work. We pay our respects to elders past, present and emerging, and acknowledge that sovereignty has never been ceded. We support the Uluru statement from the heart.

ARI Remix is a living archive; LGBTQIA+, cis, non-binary and trans inclusive, and involves active participation and collaborative collecting engagement by artists, co-creatives, peers and artist groups. It is an enthusiast-led, community-based, non-profit and art ephemera study resource and Web 2.0 art work #ariremix. It is made entirely possible through immense kindness, generosity, volunteerism and collaborative collecting efforts of over 300 Australian artists and significant arts philanthropy;

PROJECT ONE - Stages One & Two
of this project are supported by the Queensland Government through Arts Queensland and have been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Stage Three of this project is supported by the Queensland Government through Arts Queensland.





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HELP PRESERVE ART EPHEMERA

HELP PRESERVE ARI REMIX – A COLLECTIVE LABOUR OF LOVE:

If you enjoy engaging with this living archive and the evocative art ephemera it represents amd would like to show your gratitude now, it takes a small moment...(CLICK HERE)

For other ways of giving that don’t require a credit card to future enable the non-profit work we perform please contact ARI Remix DIY Coordinator here: info [at]remix.org.au

#ariremix

View

Apr 10

Open
Wendy Mills’ installation ‘View of divine union: a temporary affair’ was shown in 1983 at 40 Charlotte Street, also known as the John Mills Himself building. She sub-let this space from 1982-89 as a studio and gallery, and shared it with other local artists including Lyndall Milani, Judith Wright and June Tupicoff. “During part of the 1980’s I lived in a share house with poets, writers, musicians, refugees, environmental and political activists. We had a loose connection with the West End Catholic Anarchists and were under surveillance by Queensland Police Special Branch. We suspected our phone was tapped and we knew for certain they came to our door mainly disguised as collectors for the Red Cross and trying to gather information about our associates and us. There was a slight feel of revolution in the air but life was easy in Australia.” (ARI Remix Project interview) Image: Wendy Mills, ‘View of divine union: a temporary affair’ Cibachrome photograph, 1983 Griffith University Art Collection. Purchased 1986 #museumfromhome #QCAalumni #wendymills #griffithuniversityartmuseum #queensland #brisbane #ariremix #australianartist #contemporaryart

View

Apr 10

Open
Wendy Mills’ installation ‘View of divine union: a temporary affair’ featured transparent geometric forms constructed from polythene suspended in a low-lit space. Plastic veils, cubes and prisms were weighted down with water, while a large segmented pyramid was pierced by a shimmering upturned obelisk. The installation was accompanied by a soundscape produced on a Moog Synthesizer by Graham McConkey in Sydney. While many photographs were taken of this work, the Griffith University Art Collection holds one of only two sets of cibachrome photographs that were produced by the artist as documentation. Image: Wendy Mills, ‘View of divine union: a temporary affair’ Cibachrome photograph, 1983 Griffith University Art Collection. Purchased 1986 #museumfromhome #QCAalumni #wendymills #griffithuniversityartmuseum #queensland #brisbane #ariremix #australianart #contemporaryart

View

Oct 26

Open
#AriRemix #Rakib #DrDreRemix #BanglaVibes #DJFlavaRemix #BanglaRemix 🎚🎛🎼🎵🎶❤

View

Apr 10

Open
Queensland College of Art/Griffith University alumna Wendy Mills works with a diverse range of media including temporary installations, digital artworks and commissioned public art. After completing her studies at QCA’s Morningside campus in the late 1970’s, Mills became known for her temporary installations made from translucent and reflective materials such as plastics, water and light. She found inspiration in sacred architecture such as prisms, spirals and pyramids and used these forms to create sacred spaces combining spirituality and geometry. Image: Wendy Mills, ‘View of divine union: a temporary affair’ Cibachrome photograph, 1983 Griffith University Art Collection. Purchased 1986 #museumfromhome #QCAalumni #wendymills #griffithuniversityartmuseum #queensland #brisbane #ariremix #australianart #contemporaryart

View

Mar 20

Open
Leen leen_rieth is in the space again for the next few days with their exhibition performance ‘Enduring space’. Come by between 12-5pm. __ #artinalice #contemporaryart #performance #australianartists #ariremix #alicesprings #mparntwe #LeenRieth #exhibition

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THE ARI REMIX PROJECT ONE STAGE THREE IS A COLLABORATIVE PARTICIPATORY ARCHIVES WORK IN PROGRESS & IS IN DEVELOPMENT UNTIL DEC 2021