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November 16, 2021 In ARI Remix, OPEN

“Back in 1986 I wrote an essay for the catalogue that accompanied the exhibition ‘Know Your Product’ ” | by Peter Anderson Inaugural Siganto Fellow 2013

Back in 1986 I wrote an essay for the catalogue that accompanied the exhibition “Know Your Product” by Peter Anderson Inaugural Siganto Fellow 2013

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#ARIREMIX

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Jul 16

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#herex_ceria_1200m #herexrembang #cbteyeng #ariremix

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Jul 12

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तुम्हारा कोई इशारा नहीं, फिर भी ये दिल तुम्हारा है। तुम्हारा कोई वादा नहीं, फिर भी तुमसे प्यार बहुत सारा है। तुमसे कोई उम्मीद नहीं, फिर भी हर शाम इंतजार तुम्हारा है। तुम्हारी जिंदगी मे मेरा कोई वजूद नहीं, फिर भी मेरी रूह पे आपका हक सारा है।#meesri❤️ #dilkibaat #unconditionallove❤️ #ariremix#birthdaycountdownbegins

extra_zine

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May 8

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Talking Soylent Spot ARI with artists Erika Scott, Archie Moore and Amelia McLeish and the value of a one nighter model for artist-run activities...BWF Zine Market 2022 #ariremix #ari_remix #extrazine #extrazine #soylentspotari #bwfzinemarket2022 #zine #zines # artist'sbooks #artist-run #artistruninitiative

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May 8

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Truly delightful to chat with artists Ellie Neilsen and Sally Hart at the Brisbane Writer's Festival 'Zine Market'. Ellie staged an exhibition of prints at That Space in Brisbane/Meeanjin in 1985. At age 95 this year Ellie is teaching printmaking, winning awards and telling her stories...#ariremix #ari_remix #extra_zine #vignettestream

extra_zine

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Mar 12

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Feeling thrilled to bits to be included in the NGV Melbourne Art Book Fair 2022 this March | EXTRA issue #4 out soon, stay tuned ...#MelbourneArtBookFair #NGV @NGVMelbourne #ariremix #extra_zine #ari_remix

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Dec 1

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congratulations on ari remix star of the week title 🍃 #woozworld #staroftheweek #woozworldus #ariremix #woozen #woozedit woozworld woozworldbr woozworldes woozworldnl woozworld_fr

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Jul 2

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Five years ago today, remix.org.au launched this interview Art and Aerosol Now. Check out the website for your rainy Friday afternoon lockdown entertainment. ari_remix #remix #ariremix

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May 25

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my recap and application for trying to model 😳 #model #modeling #modelshoot #modelrecap #recap #modelling #modelo #lgbt #lgbtmodel #modelsearch #modelagency #fyp #fypage #fypシ #application #aesthetics #aesthetic #aesthetic_photos #ari #ariremix #remix #megamix #arianagrandeedit #ariana #arianators #😌 #😳 #👁👄👁 #yuh #oop

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Mar 26

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EXTRA issue #1 has launched! Check out our bio for the link to download your free copy and check out our stories for how to print, trim and fold. Enjoy! #ariremix #melbourneartbookfair2021 #axisxtremists #zine #zineculture #diy #diypublishing #freezine #ari #artistrun #livingarchives #ngv #artbook #artistruninitiative #printedmatter #peopleofprint #diypublication ngvmelbourne

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Mar 25

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Feeling super thrilled to bits about launching our new EXTRA Zine collab tomorrow at the NGV Melbourne Art Book Fair 2021. Feels fab to build out from last year's panel discussion Public Records:Artist-Run Archives in Australia alongside speakers Channon Goodwin, Melissa McGrath, David Mutch and Roberta Joy Rich with different and generous archival perspectives and thanks to art book aficionado Freya Copeland from Replika Publishing for the photos all_conference busprojects robertajoyrich david_mutch_o coolchangecontemporary #ariremix #mabf2021 davidari_r replika.publishing jo_msbrown vignettestream
Welcome to
 THE ARI REMIX LIVING ARCHIVES
& SOCIAL MEMORY PROJECT
(2011-2026)

“ 'Living' means present, on-going, continuing, unfinished, open-ended.” (Hall, 2001)

A Polyvocal Memory of Australian Artist-Run Culture and Heritage "Work in Progress"

LOCAL COLOUR, COMMUNITY, LGBTQIA+, INCLUSION, PARTICIPATION, COMMUNITY ARCHIVING, CULTURAL JUSTICE, STORYTELLING, INQUIRY, ADVOCACY

ARI Remix is a living archive as archival art initiative; LGBTQIA+, cis, non-binary, trans and BIPOC inclusive, and involves active participation and collaborative collecting engagement by artists, arts workers, co-creatives, peers and artist groups. It is an enthusiast-led, community-based, non-profit and art ephemera study resource and Web 2.0 internet art work #ari_remix. It is made entirely possible through immense kindness, generosity, volunteerism and collaborative collecting efforts of over 300 Australian artists and significant arts philanthropy.

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of this project are supported by the Queensland Government through Arts Queensland and have been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Stage Three of this project is supported by the Queensland Government through Arts Queensland.

PROJECT TWO – Stage One 2022 - 2024
of this project is supported by the Queensland Government through Arts Queensland and has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.





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We invite you to join us at @metroarts this coming weekend on Saturday 8 October 2022 from 4-6pm for the opening of Perceived Aesthetic and Moral Tension by artist @tristan.eyles.

—

Eyles' practice explores the emotive quality of inorganic structures observed in the Australian built environment. His sculptural work looks towards the affective value of new property development and it's surrounding rhetoric, employing found and misappropriated materials to explore the unique possibilities of ambivalence. By employing resistive strategies in accessing and managing materials, Eyles aims to subvert the unethical power structures inherent in the material supply chain.

—

Perceived Aesthetic and Moral Tension

Art Exhibition Opening | Sat 8 Oct, 4pm - 6pm

Metro Arts Gallery Two, West Village

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remix.org.au/outer-space-open-day-arts-writing-101-w-miranda-hine-when-100-200pm-saturday-8-octob...

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https://remix.org.au/outer-space-open-day-arts-writing-101-w-miranda-hine-when-100-200pm-saturday-8-october-2022%e2%81%a0/
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remix.org.au/outer-space-open-day-arts-writing-101-w-miranda-hine-when-100-200pm-saturday-8-octob...

Hello! Am chatting with artist and curator colleagues about important group exhibitions staged in SEQ during the formative 1970s, 1980s and 1990s time frame when SEQ ARIs emerged into their contemporary form ( similar but different to earlier independent DIY artist groups and artist co-operatives like Barjai and Miya Studios in the 1940s) including the influential 'No Names' exhibition - a guest-curated exhibition - staged at the then newly opened 106 Edward Street premises opposite the Brisbane Community Arts Centre ( now Metro Arts) . 1982, the year prior to 'No Names' witnessed the constituting of the Artworkers Union Qld with Ted Riggs, Campbell, Brian Doherty among many others... Any personal memories to kindly share about this guest-curator program exhibition, Artworkers Union Qld and any light to share on the slide projector installation work featuring Ross Pulbrook and Ted Riggs perhaps? thanks for any recollections I am truly grateful:) remix.org.au/aris-nonames

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1 month ago
Hello! Am chatting with artist and curator colleagues about important group exhibitions staged in SEQ during the formative 1970s, 1980s and 1990s time frame when SEQ ARIs emerged into their contemporary form ( similar but different to earlier independent DIY artist groups and artist co-operatives like Barjai and Miya Studios in the 1940s) including the influential No Names exhibition - a guest-curated exhibition - staged at the then newly opened 106 Edward Street premises opposite the Brisbane Community Arts Centre ( now Metro Arts) . 1982, the year prior to No Names witnessed the constituting of the Artworkers Union Qld with Ted Riggs, Campbell, Brian Doherty among many others... Any personal memories to kindly share about this guest-curator program exhibition, Artworkers Union Qld and any light to share on the slide projector installation work featuring Ross Pulbrook and Ted Riggs perhaps? thanks for any recollections I am truly grateful:) https://remix.org.au/aris-nonames
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What a list of lovelies!!

Stephen Stockwell

Hi Paul. Although the IMA had a guest-curated exhibition program in that period (between John Nixon’s and Peter Cripps’ directorships), the No Names exhibition was deliberately not curated, as in no one selected or rejected works. It was an open call. Malcolm Enright designed the catalogue. Ted and I called it No Names after the cheap Italian restaurant in East Sydney. I can’t remember Ted’s work in the show.

i was helping a large older American woman with The Lift she felt the need to comment that although she had seen exhibitions all over the world she had not seen anything like THIS ! it was a JOKE ! i said - perhaps if you tell your friends they will be amused to come and take a look. Well - let me tell ya - she said - i don't have any friends here. i bit my tongue

www.slq.qld.gov.au/blog/no-names?

I am writing this I hope in con text with the topic and not as a bit of gratuitous nostalgia from a tedious old fart. In Brisbane 1967 the only game in town in regard to any semblance of Avant Garde art practice was The Queensland Contemporary Art Society. Roy Churcher, then Secretary I think, considered that it's younger members should have their own voice and fora for expression in regard to the new waves of international art practice emerging. The group was formed and to launch it an event organised. We were going to have our own little bit of San Francisco psychedelic " happening ". The program was a screening of Underground short films with suitable cool music. At St Mary's church hall , Kangaroo Point an environment was created . A large semi-egg shape dome was constructed out of paper filled with shredded newsprint about 500 mm deep. Strobe lights installed and Frank Zappa music blasting at obscene decibel levels. The punters loved the films and at the end demolished the props in a wild frenzy of torn paper and confetti to the soundtrack of "Call Any Vegetable ". To empty the hall we loaded vans with the shredded newsprint and bodies and distributed it all over Qld. Uni and MtCootha. The next day an article ran in The Courier Mail, " Snow on MtCootha. We didn't have proper, responsible ARIs then .

Nice to see Luke Roberts there. Have you ever cheated with Alex Mackay and what places he went to then?

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THE ARI REMIX PROJECT PROJECT TWO – STAGE ONE IS CURRENTLY IN DEVELOPMENT UNTIL AUGUST 2024