ARI Remix Newsletter | Spring 2022 | Ten Year Anniversary Issue # 6 | (Re) Presenting 2020-2022 | Celebrating a Decade of Collaborative Memory Work
https://remix.org.au | ARI REMIX PRESENTS: SELF-MADE, ARTIST-RUN | feat. the EXTRA Zine Project | An ARI Zine Anthology | ARI REMIX Project 2 Stage 1 | May 2022 – JUNE 2024
We hope this email finds all well and swell this spring.
This year we are working on a new series of artist/ARI memory contributions in a digital/physical zine format. All community-based archivists including artists and artist-run communities have stories that demonstrate the importance of their work to the communities they serve. Yet these stories of impact can be difficult to systemically track and use, this is a key focus of the memory work we perform at ARI Remix + EXTRA Zine.
You can easily access, discover and freely download the zines we are making for the ARI Zine anthology in the link below. Meanwhile here are few examples of where zine and zine making practice is being explored in the present. Enjoy! See you next time with the summer edition.
Artist & ARI Remix + EXTRA Zine DIY coordinator
ACCESS the new ARI Zine anthology as it evolves in 2022 to 2024 here:
ARI Remix [2011-2021] is an archival art initiative in a living archives modality. It is presented as an expanded internet art work (Netart). As a collaborative passion project with over ten thousand hours of enthusiasm and volunteerism involved to make it happen and to stay preserved and “living” in the current online environment we need your help. Thanks to everyone who is kindly helping with this year’s crowdfunding campaign we are edging much closer now to the $7,500.00 goal for December 2022 to help offset the ongoing $300 monthly digital infrastructure, web hosting, software plug ins updates and IT fees. We are extremely grateful for your generosity, kindness and thoughtfulness so far, please help if you can and let your friends and colleagues know too…
Image [Header] : ADJUSTING MARGINS, exploring zines and posters as types of community archives. ENTER OUTER SPACE, 8 October 2022 ( detail ) Photo: Louis Lim
RECENT ARI REMIX NEWSLETTERS
ARI Remix Socials
Australian ARI Living Archives – Queensland Artist-Run Heritage 1970 to NOW – Public group
ARI Remix Project – Living Archives, Artist-Runs Past Present Future
The ARI Remix collective acknowledges and respects the traditional and ongoing custodians of the lands where we live, make and work. We pay our respects to elders past, present and emerging, and acknowledge that sovereignty has never been ceded. We support the Uluru statement from the heart.
ARI Remix is an archival art initiative, in a ‘living archives’ form; LGBTQIA+, cis, non-binary, trans and BIPOC inclusive, and involves active participation and collaborative collecting engagement by artists, art workers, co-creatives, peers and artist groups. It is an enthusiast-led, community-based, non-profit and art ephemera study resource and Web 2.0 internet art work [net art] #ariremix. It is made entirely possible through immense kindness, generosity, volunteerism and collaborative collecting efforts of over 1500 Australian artists and significant arts philanthropy;
PROJECT ONE – Stages One & Two
of this project are supported by the Queensland Government through Arts Queensland and have been assisted by the Australian Government through the Australia Council, its arts funding and advisory body. Stage Three of this project is supported by the Queensland Government through Arts Queensland.
ARI REMIX | PROJECT TWO – Stage One
of this project are supported by the Queensland Government through Arts Queensland and have been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
Aboriginal, Torres Strait Islander and other First Nations people are advised that this archival art initiative contains names, recordings and images of deceased people and other content that may be culturally sensitive. Please also be aware that you may see certain words or descriptions in this catalogue which reflect the author’s attitude or that of the period in which the item was created and may now be considered offensive.