“What’s Goin’ On” Series 2010 – Artist Lehan Winifred Ramsay – ARI Remix – A Polyvocal Memory of Australian Artist-Run Culture and Heritage "Work in Progress"

“What’s Goin’ On” Series 2010 – Artist Lehan Winifred Ramsay

Dear Art Harbour people

For Your Archives!

My 2010 series What’s Goin’ On

Lehan Winifred Ramsay

Sun, 7 Mar 2010, 10:26 (Email Archive 2010)

(Re) Presenting – ‘Inside the World’ – Interview – The World Nightclub 254 East 2nd Street in Manhattan’s East Village – AXIS Art Projects ‘Does New York Exist?’ – May 1988

on 09 August 2020, in OPEN

(Re) Presenting – ‘Inside the World’ – Interview – The World Nightclub 254 East 2nd Street in Manhattan’s East Village – AXIS Art Projects ‘Does New York Exist?’ – May 1988

on 09 August 2020, in OPEN

Memory and the Photographers Gallery – Carl Warner

on 25 August 2016, in OPEN

Memory and the Photographers Gallery – Carl Warner

on 25 August 2016, in OPEN

Signature Work – Interviewing and Sense of Place: AXIS Art Projects with Liz + Val, 1988

on 25 July 2016, in OPEN

Signature Work – Interviewing and Sense of Place: AXIS Art Projects with Liz + Val, 1988

on 25 July 2016, in OPEN

Artcast

on 26 August 2015, in ARIs, QLD, QLD 1980-1990

Artcast

on 26 August 2015, in ARIs, QLD, QLD 1980-1990

That Contemporary Art Space – That Collective

on 11 June 2015, in ARIs, QLD, QLD 1980-1990

That Contemporary Art Space – That Collective

on 11 June 2015, in ARIs, QLD, QLD 1980-1990

[Bureau] Bureau Art Space

on 11 June 2015, in ARIs, QLD, QLD 1980-1990

[Bureau] Bureau Art Space

on 11 June 2015, in ARIs, QLD, QLD 1980-1990

A Personal History – Lehan Ramsay

on 07 July 2016, in ARI Remix, OPEN

A Personal History – Lehan Ramsay

on 07 July 2016, in ARI Remix, OPEN

Ruby SPOWART

on 03 January 2016, in Artists, QLD 1940-1970, QLD 1970-1980, QLD 1980-1990, QLD 1990-2000, QLD Regional 1940-1970, QLD Regional 1970-1980, QLD Regional 1980-1990, QLD Regional 1990-2000

Ruby SPOWART

on 03 January 2016, in Artists, QLD 1940-1970, QLD 1970-1980, QLD 1980-1990, QLD 1990-2000, QLD Regional 1940-1970, QLD Regional 1970-1980, QLD Regional 1980-1990, QLD Regional 1990-2000

Nicholas ZURBRUGG

on 01 September 2015, in Artists

Nicholas ZURBRUGG

on 01 September 2015, in Artists

Epicormia Collective – The Re-authoring Impulse – AXIS Wunderkammer #2 NRCG Ballina

on 29 November 2016, in ARI Remix, OPEN

Epicormia Collective – The Re-authoring Impulse – AXIS Wunderkammer #2 NRCG Ballina

on 29 November 2016, in ARI Remix, OPEN

Interview with Hiram TO

on 05 February 2016, in The Ephemera Interviews

Interview with Hiram TO

on 05 February 2016, in The Ephemera Interviews

The Shared Camera – A Memory – Merrily Contesting Authorship

on 03 April 2016, in OPEN

The Shared Camera – A Memory – Merrily Contesting Authorship

on 03 April 2016, in OPEN

RELATED ARCHIVAL RESOURCES

Demolition Show, Performance Night, 1986

on 14 April 2018,

Demolition Show, Performance Night, 1986

on 14 April 2018,

Imagery Gallery – Doug & Ruby Spowart Archives

on 26 March 2016,

Imagery Gallery – Doug & Ruby Spowart Archives

on 26 March 2016,

Demolition Show Party 1986

on 14 April 2018,

Demolition Show Party 1986

on 14 April 2018,

Brian Doherty and Lehan Ramsay, Bitumen River Gallery

on 05 September 2015,

Brian Doherty and Lehan Ramsay, Bitumen River Gallery

on 05 September 2015,

The Billboard Project – Curated by Lehan Ramsay and Anna Zsoldos

on 19 November 2015,

The Billboard Project – Curated by Lehan Ramsay and Anna Zsoldos

on 19 November 2015,

AXIS Art Projects – The Super Eighties Archives – Does New York Exist?

on 30 April 2016,

AXIS Art Projects – The Super Eighties Archives – Does New York Exist?

on 30 April 2016,

Tags:

AXIS ART PROJECTS Artists jay Younger Lehan Ramsay Paul Andrew Demolition Show Lehan Ramsay Lehan Winifred Ramsay The Observatory Collective

Comment on Facebook

graffiti graffitied...

A mistake so sublime It stuck me immediately Accidental in design Or part of a graffiti PH.d

The leftover paint was still usable, the work was worth $500,000, surely it's worth more now, the black improves it, the couple should demand sizable payment.

Context is important. In what way is this graffiti art? Not stylistically and not contextually. The only graffiti component is the recent black addition.

Leave tools lying around..

The original work was "Academic painting". The repainting constitutes graffiti.

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