Young Turks and Battle Lines – Barjai and Miya Studio – An exhibition arranged by the University Art Museum University of Queensland centering around young Brisbane artists of the 1940s

An exhibition curated by Michele Helmrich 1988

 

ft. an excerpt by Foundation Head, Department of Art History, Director, University Art Museum, Nancy D H Underhill

barjai miya excerpt Nancy Underhill 1988 small

 

Trove Source

 

https://trove.nla.gov.au/work/19001123?selectedversion=NBD6073941

Related Links

 

Anderson, M.E., 1987. Barjai, Miya studio and young Brisbane artists of the 1940s: towards a radical practice.

https://scholar.googleusercontent.com/scholar?q=cache:K4I5LYSEPeUJ:scholar.google.com/+michele+helmrich+miya&hl=en&as_sdt=0,5

Barjai and Miya Studio

21 April – 24 July 2016

In 1945, at the close of the Pacific war, a group of young Brisbane artists formed Miya Studio, named after an Aboriginal word for ‘today’. Founding members Pamela Seeman, Laurence Hope and Laurence Collinson, together with Cecel Knopke, organised studio space and encouraged artists to respond to the challenges of the contemporary world. In Collinson’s catalogue preface for the second of the group’s five annual exhibitions, he critiqued the local art scene, stating ‘The members of Miya Studio are attempting, as far as a small group of young artists with only moderate means at their disposal can attempt such an undertaking, to make this arid soil vital.’ Barjai (‘meeting place’), a Brisbane-based magazine for literature and art aimed at a young audience, shared and supported their ideals.

This exhibition revisits these endeavours with a focus on The Miya Studio Archive, which Pamela Crawford (née Seeman) donated to UQ in 1988.

Curator: Michele Helmrich

https://artmuseum.uq.edu.au/content/barjai-and-miya-studio

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